October 13, 2013

POSSIBLY IRRITATING ESSAYS: World-Building By Accident – Part 1

Apparently some people believe that world-building in science fiction, fantasy, and speculative fiction is unnecessary:

“Every moment of a science fiction story must represent the triumph of writing over world-building.

“World-building is dull. World-building literalises the urge to invent. World-building gives an unnecessary permission for acts of writing (indeed, for acts of reading). World-building numbs the reader’s ability to fulfill their part of the bargain, because it believes that it has to do everything around here if anything is going to get done.

“Above all, world-building is not technically necessary. It is the great clomping foot of nerdism. It is the attempt to exhaustively survey a place that isn’t there. A good writer would never try to do that, even with a place that is there. It isn’t possible, and if it was the results wouldn’t be readable: they would constitute not a book but the biggest library ever built, a hallowed place of dedication and lifelong study. This gives us a clue to the psychological type of the world-builder & the world-builder’s victim, and makes us very afraid.” – M. John Harrison

Honestly? This makes me shake my head because of his vehement lambasting of authors he doesn’t bother to name but who would likely include Frank Herbert (a New Waver himself), JRR Tolkien, Allen Steele, Hal Clement, Susanna Clarke, David Weber, Peter F. Hamilton, Lois McMaster Bujold, Mary Robinette Kowal, Gene Wolfe, and countless others who ply their trade in the SF/F/SpecFic field and who have obviously and sometimes explicitly built their worlds. When you read even a simple biography on Wikipedia, it’s clear why M. John Harrison would both say that it is “not technically necessary” and why others would bother quoting him.

First of course is that he is British and as we all know, ALL serious literature/authors are British and are ultimately quotable. He writes “literature” and only sometimes slums the SF sewers. By implication, he is erudite and quotable. He’s won AWARDS like the James Tiptree, Jr. Award (2002), Tähtivaeltaja [Finnish SF] Award (2005), Arthur C. Clarke Award and Phillip K. Dick Award (2007) and all Winners Of Awards are quotable. Last of all, he was once a towering figure of the New Wave Of Science Fiction (beginning in the ‘60s – though the History of SF article in Wikipedia doesn’t even mention him…), though it doesn’t mention that like all waves, it disappeared when it ran out of angst...er energy and “By the early 1980s, the New Wave had faded out…” and he had pretty much disappeared from the SF scene from the early 1980s until the dawn of the 21st Century.

Coincidence? No idea. You be the judge.

While I’d never heard of him before he was quoted as An Authority by a commentator on the io9 article noted below, I have requested the first book of his Kefahuchi Tract trilogy (though I confess that I thought it must take place in Florida among the Okeefenokee or in Minnesota at Tettegouche…) and I’ll read at least the first book. I’m afraid though that it will be either unreadable (the hallmark of Great Literature) or incoherent and of course, because it is either unreadable or incoherent it will automatically be Great because a small mind like mine can’t possibly understand Great Literature and ipso facto, the literature a genre reader like me can’t understand MUST be Great Literature.

Anyway, this post is supposed to be about world-building by accident and I have strayed far afield. Though some people will find my digression irritating, I’ve laid a foundation for this discussion on world-building and will summarize thus: I believe that world-building is essential to SF/F/SpecFic. At least to a large and passionate part of the readership world-building is important.

More on this will have to be reserved for part 2 of this article. See you in a few weeks!

Image: http://blogs.kcls.org/booktalk/encyclopedia_new_wave.jpg

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