I’m going to use advice from people who, in addition to writing novels, have also spent plenty of time “interning” with short stories. While most of them are speculative fiction writers, I’ll also be looking at plain, old, effective short story writers. The advice will be in the form of one or several quotes off of which I’ll jump and connect it with my own writing experience. While I don’t write full-time, nor do I make enough money with my writing to live off of it...neither do most of the professional writers...someone pays for and publishes ten percent of what I write. When I started this blog, that was NOT true, so I may have reached a point where my own advice is reasonably good. We shall see as I work to increase my writing output and sales! As always, your comments are welcome!
Without further ado, short story observations by Wesley Chu – with a few from me…
Up until recently, I hadn’t read anything by Wesley Chu. Then I found out he’s going to be at a conference I’ll be at in April – Minicon 54 (Minnesota Science Fiction/Fantasy/Weird conference 2025)…I thought I'd find out what I can learn to fuel my evolution as a writer!
(https://faithandsciencefiction.blogspot.com/2022/09/slice-of-pie-my-evolution-by-star-trek.html).
So, I thought it’d be a good way to become familiar with Wesley Chu and his work today…born in Taipei, raised by his grandparents in Taiwan, joined his parents in Lincoln; degree in management information systems; ten years in the banking; then acted in film, television, and as a stuntman. First novel, The Lives of Tao.
Wesley Chu: “Full-time writing is a lot like parenthood, without having to change diapers as often. Mind you, I have no children. Since we’ve already established that I don’t really know I’m talking about, let’s assume you trust me when I say you have to deal with a lot of shit. In the early days, writing will keep spitting up on your shirt and everyone will think what you’re doing is ‘cute.’”. Also: “Chu has acted in film and television, and has also worked as a stuntman. Chu has appeared in several commercials alongside numerous celebrities, such as Michael Jordan. He is familiar with several forms of martial arts such as wushu/kung fu.”
Me: Wow, I wasn’t expecting QUITE so much truth from a SF writer, especially one who has “made it”. I’ve been writing stories since the end of 7th grade, a year or so after I discovered science fiction in my elementary school library (THAT story is here, where I read my first SF TV show and read my first novel…That was in 1968. My first PROFESSIONAL publication didn’t arrive until twenty-five years later in October of 1993, when my story “Test” was published (and I was PAID FOR IT!!!) in a magazine called HiCall. It DID speed up after that…
WC: When asked, “Do you make a conscious decision about how to structure your story before you start writing?”, he replied, “Yes. Although sometimes in writing, will realize the interesting central conflict is different than expected, then go back and change the beginning. Sometimes write some, then outline. I like to outline extensively, then toss the outline and make it up as I go.”
Me: I absolutely DO plot out my stories. That being said, is the plot written in stone? NOPE. As I write, I find that my vague “purpose” for the story not only changes some, but it almost always SHARPENS. For example, my current work-in-progress started out with something like this (The oldest note on this story is dated 5/25/90…thirty-five YEARS ago…reads: “An AI at a remote lunar mining operation must carry a message of mutiny to the proper authorities. If “she” fails, the humans will die, but a message will get through. If she takes the Mass Driver, the message will get through, but she will ‘die’…magnets will scramble her memory.” She hates humans for forcing her to choose, but reclass young teenaged girl who “befriended her”.”
Right now, the story in a paragraph (this is actually the first time I’ve done it. I’m also influenced by things likes movies and stories. In this case, the SCRIPT of “I, Robot”: “Near the Martian Mass Driver, there’s an accident and Ravrani Joshi, who is well known by her fellow Martians to talk with sapient robots, Artificial Intelligences, and Artificial Humans. An industrial accident kills her. Then robot she talks to most, Robot 9374, or Arnine, cannot save her, but discovers that terrorists known as the Soldiers of the Face had targeted her – and others like her. Arnine discovers that Facers are planning on sabotaging the programming of the Driver to destroy stainless steel processing facility on the moon of Deimos – with evidence designed to spark a pogrom against anyone who believes that artificial life forms are sapient and that ONLY Humans have that quality. This story ends when Arnine sacrifices themselves to keep the future of Humanity richly diverse rather than racist/being-ist…”
This post gave me what I needed to refocus my story! I’ll come back to Wesley Chu in a couple of weeks – after I’ve had a chance to see him in “real life”!
References: https://clarkesworldmagazine.com/another_word_11_14/
https://writingexcuses.com/tag/wesley-chu/; https://scififanletter.blogspot.com/2013/05/author-interview-wesley-chu.html Image: https://blogger.googleusercontent.com/img/a/AVvXsEhK6miXJMTMNyB3kzq-r6I2LVCTZJj0CDS0dPV2Qapl6e9rZPuHx2u5QKcKT1QGeDg1_tPMv-lpnuSr_eiBjwPXmex9mcgtuH2-SUtZEpGWV0_HdtJQelVt5K69NulJBUqNju5GNjHgQibXsIo4NeWpTOj4ai85jCRjMHOtwtkqshzxFvZPUSjXZNq6=s320