June 18, 2013

IDEAS ON TUESDAYS 116

Each Tuesday, rather than a POSSIBLY IRRITATING ESSAY, I'd like to both challenge you and lend a helping hand. I generate more speculative and teen story ideas than I can ever use. My family rolls its collective eyes when I say, "Hang on a second! I just have to write down this idea..." Here, I'll include the initial inspiration (quote, website, podcast, etc) and then a thought or two that came to mind. These will simply be seeds -- plant, nurture, fertilize, chemically treat, irradiate, test or stress them as you see fit. I only ask if you let me know if anything comes of them.

F Trope: Talking animals
Current Event: http://www.newsminer.com/article_a5663fec-92d2-57c6-b57c-743b4adf4194.html

Noah Rhydderch shook his head angrily, “No, I know what I heard!”

Machig Labdrön pursed her lips, then took her lower lip between her thumb and finger. Finally she said, “Ravens can’t really speak, you know.”

Noah rolled his eyes. “I know that they aren’t supposed to speak English. I know they’re mimics – but the bird wasn’t just mimicking me. It was trying to tell me something!”

Machig sighed. “Look, Noah. I know we want our research to show that they’re smarter than we’ve given them credit for...”

“Machig! Don’t patronize me!” He shook his head and dropped down onto the lab stool. The raven loft was attached to the lab building of the International Wolf Institute. They were working under a grant from the National Science Foundation – but that did little to make Noah forget his ancestral involvement with the birds. Machig had the same connections – ancient Hebrews, the Welsh and Bhutanese cultures all revered the raven. It was what had drawn them together in the first place (though in a distressingly asexual way). He continued, “Don’t you think I’m weirded out by what I think I heard?”

She dropped down on the stool next to him and put her hand on his knee, though she didn’t look at him. She said, “So tell me again – what did Katoohk say to you?” They’d named raven #13 of their survey flock an Anglicized version of an Far Eastern Russian creator god.

“See that was what was weird, he didn’t actually say anything to me. I...” he paused, shot her a look and said, “I dreamed it.”

She took her hand away, rolling her eyes as she stood up. “Oh, great! I can just see the section in our paper on ‘Dream Interpretation and Communication Skills of Corvus corax’!”
 
“I didn’t ask for the dream! I’m just telling you about it!”

“You’re acting like it’s significant to our studies!”
 
“I’m not the one who said it was – Kahoohk said what he had to tell me was significant!”

Machig took a deep breath, sat back down and faced Noah. She said, “All right. I’ll listen to your dream – but don’t interpret for me. Just tell me what happened to the best of your memory.” She set her ipik down and turned it on. “If what you say is relevant in any way, I’ll think about it and let you know if I think it has any significance.”
 
“You mean you get last say? That’s not fair! This is my research, too!”
 
She snorted, “That’s exactly what’s fair! It’s yours ‘too’! My name will be attached to it and I don’t know if I want it attached to some fairy tale!”
 
He opened his mouth. Shut it. Dropped back down on the stool and said, “All right. This is what Kahoohk said: “A hero of Ireland, Cú Chulainn had a son whose name was Connla, by Aífe. Connla has been long separated from his father and seeking him to sit with him and do the things fathers and sons enjoy, comes to Ireland in search of him. Cú Chulainn takes the son he does not recognize as an intruder and kills him when he refuses to identify himself. Connla's last words to his father as he dies are that they would have ‘carried the flag of Ulster to the gates of Rome and beyond’, leaving Cú Chulainn both without an heir and grief-stricken and with no understanding of what he did.”
 
Machig made a face and sagged in the chair. “I thought you were going to say something significant.” She laughed. “You don’t even have a kid!” When she looked at him again, his face was white. “What?”
 
“I suppose before we move any farther ahead or back in our relationship – or non-relationship as the case may be, I have something I should tell you…”
 
Names: Bhutan; Hebrew, Welsh

June 16, 2013

Slice of PIE: I SHOULD Write About Father’s Day, Right?


My banner above says, “Where Writing, Christianity and Speculative Fiction Interact and You Can Comment On My Fiction – So We Can Learn TOGETHER”.
 
I’ve meant that from the day I posted my first entry on August 1, 2007 six years ago.
 
Hardly anyone posts a response these days, but from what I read, that’s because:
 
There are over a billion FaceBook pages. I’m there: https://www.facebook.com/guy.stewart.946
 
There are half a billion Twitter account users. I’m there: @gstewart75 (https://twitter.com/gstewart75)
 
Outlook has almost another half billion. I’m there: gstewart75@hotmail.com
 
LinkedIn has 225 million. I’m there, too.
 
Dropbox has over 100 million. Working with a friend of mine on Dropbox.
 
According to my source, in 2012, there were approximately 31,000,000 of which 35% use eBlogger like I do. That comes out to 10,850,000 so I really DON’T feel bad that people don’t comment. I DO know that somewhere in the neighborhood of 35,000 people have stopped by during that time.
 
I DO know that there are 462 Comments and that I have fairly regular commenters.
 
So what have I learned in the past 6 years?
 
Lots – I learned that I LOVE writing in blog-bits! What are they? If you look at my sidebar, you’ll see A PINE IN THE CITY ALONE (picture book), A SHORT LONG JOURNEY NORTH (young adult/middle grade historical), LOVE IN A TIME OF ALIEN INVASION (young adult science fiction), and A MARTIAN HOLIDAY (science fiction novel for adults with a Christian worldview).
 
I’ve written three other picture books thus far (one went to my agent but she didn’t think it was strong enough, the second and third I’m still revising); two YA/MG novels (one I sent to my agent and she found it confusing, the other I’m waiting to publish my first NON-genre novel to jump into the genre novels for kids); a fantasy novel I am also waiting on my publication of one of TWO novels that are out there in Submission Land; and a Christian novel whose elevator pitch is “Jan Karon’s MITFORD series meets CROSS AND THE SWITCHBLADE (or for a more contemporary title, you could try CHASING THE DRAGON)”.
 
Have I sold any books? Nope.
 
Have I sold any stories? Yep. (See above for my most recent publication.)

Am I constantly writing?
 
As my Scandinavian forebears might have said, “You betcha!” 

I also learned that when I publish something in my blog, it’s considered published. Of course, the books I write are ONLY initial drafts – I play with ideas, characters, tone, and theme. That’s why if you read my posts in order, you’ll see that not only do the things I listed change – but names, genders and tenses change as well. When I do the final draft, all of that will be resolved – but that’s what I need the input for! I want to know what is working and what is not. I solicit the views of people of various beliefs as well – I do NOT feel called to write for the evangelical Christian market (except for some few, very specific projects). I need to know if my own faith is peeking through TOO MUCH. I don’t want to bury what I believe, but I don’t want to be offensive to my market, either.
 
I want to do what Jesus did – tell interesting stories that are perfectly legitimate on the surface of them, but can be interpreted on a deeper level as well. “The Prodigal Son” is an excellent piece of flash fiction (they called them parables in Jesus’ day) by itself. Makes you sigh and wish that your family was like that! (I talked about this long, long ago: http://faithandsciencefiction.blogspot.com/2008/11/writing-advice-parable-storythat.html). But it can be read on a spiritual level as well and it was “for those who have ears to hear”.Anyway, I HAVE to get this posted, so I’ll end now. I LOVE blogging. I love comments.
 
‘nuff said.
 

June 13, 2013

A New Story Up At PERIHELION!

PERIHELION Online Magazine published a short story of mine called "Invoking Fire"!

http://www.perihelionsf.com/fiction_6.htm

I got the idea because my concern with the preponderance of electronic books and its impact on the poor of the world. When I TALKED about it, no one seemed able to see my point.

But this story seems to have gotten me an audience. Maybe more people will consider the impact of US going electronic on THEM who need the books we "throw away"...

In fact, this was brought abruptly to the forefront of thought when I got an email from an old student of mine. She's starting a non-profit organization bent on revitalizing the classrooms of Liberia with better classrooms...AND BOOKS...

From where?

Here.

When all of our books are self-righteously electronic, then where does that leave THE REST OF THE WORLD?

Sorry.

Image:  http://matthewsdent.files.wordpress.com/2013/06/perihelion-june-132.jpg

June 9, 2013

POSSIBLY IRRITATING ESSAYS: The Holy Grail in Ancient and Modern Times -- And The Movie of A Young Friend of Mine

A young friend of mine – whom I had the privilege of writing with in a class he took from me when he was very young (he’d already had three short stories published by then) – premiered a movie for which he conceived the idea, wrote the screenplay, directed and edited. For the complete story, read the article here:

http://post.mnsun.com/2013/06/perpich-student-premieres-independent-film/

As I shared the basic idea with my daughter’s good friend – a teenager’s favorite hat, one he wears only on the weekend, disappears so he sets off to find it and ends up crossing with gangs and twisting and turning with humor in what is billed as a “thriller with comedic twists” – I suddenly realized that I was watching LORD OF THE RINGS the next night (talk about comedic twists!).

My reflections on WEEKEND HAT and LORD OF THE RINGS abruptly began to range all over the place, lighting on MONTY PYTHON AND THE HOLY GRAIL as well as other modern interpretations of the legend like THE FISHER KING, and THE DA VINCI CODE.  Ancient literature such as Conte de Grale, Percival, Morte dArthur depends heavily on the legend, but modern lit and speculative fiction in particular has mined the trope. From Samuel R. Delany’s Nova, to Marion Zimmer Bradley’s Darkover books, to Judith Tarr’s Kingdom of the Grail, Elizabeth Bear’s Grail, and Charles Stross’ Accelerando and the expectation that someday Humanity will transcend itself with the help of technology. 

“Why is the Grail legend, traditionally known as an emblem of Christianity, still so popular in a culture that has generally turned away from traditional religion? How does a legend steeped in medieval supernaturalism thrive amid modern skepticism and secular humanism? How does the Grail maintain relevance long after the culture that created it?” (The Science Fiction Film Reader by Greg Rickman)

This myth; this powerful image is diminished and made simple by our longing for a trinket or place or loved one taken too soon – something that I have lost or had taken from me. The concept seems echoed in everything we do.

From the loss of the cup Jesus and his followers used to drink and dine during the very first Jewish Passover that became Christian Communion to civilizations far flung in both time and technology seeking their origins, lost fleets, sons or daughters of Emperors or even the “glory of forgotten days” – all of these are recreated in speculative fiction of the past and today.

The Quest for the Holy Grail with its cascade of amplifying and diminishing movies and literature is also reflected in a little movie by a great young adult in the arts-friendly city of Minneapolis.

If you’d like, please share any other reflections of the Holy Grail you’ve read or watched lately!

Image: http://2.bp.blogspot.com/_axr1lLAbpwc/SfmhOiDMAiI/AAAAAAAAAcM/9kyRF1fWoxw/s320/1indy-idol-holy-grail.jpg

June 5, 2013

SHORT LONG JOURNEY NORTH #50: July 20 – July 21, 1946

This series is a little bit biographical and a little bit imaginary about my dad and a road trip he took in the summer of 1946, when he turned fifteen. He and a friend hitchhiked from Loring Park to Duluth, into Canada and back again. He was gone from home for a month. I was astonished and fascinated by the tale. So, I added some speculation about things I've always wondered about and this series is the result. To read earlier SHORT LONG JOURNEY NORTH, click on the label to the right. The FIRST entry is on the bottom.
 
“Why do they want to kill us?” Freddie Merrill screamed as another round of buckshot ricocheted off the cab of the truck. He started to climb up from the floor.

“I don’t have time to explain it all now!” said Edwina Olds, Lieutenant, WACS (ret.) She shoved him back to the floor. He grunted as he rolled backwards and banged his head on the dashboard.

“Hey! You can’t push my friend around!” shouted Tommy Hastings, putting his forearms on the bench seat to pull himself up and defend the honor of his best friend.

Something shattered the back window and not only did Edwina shove him back, Freddie yanked him by the seat of his pants.
 
Behind them, the Socialist’s truck roared after them cutting across the circle of lights spilling from the other trucks. Edwina’s friends opened fire and the lights from the Socialists abruptly swung from side-to-side, wildly. The logging truck hit a mound of something that lifted them up before it collapse. Edwina cursed as their headlights flipped up into the treetops. The lights dropped down just as suddenly, the front of the truck slammed down, driving all of them into their seats or to the floor then bounding back up. Edwina cursed colorfully and long, grinding gears then sending them roaring back to the road.

As she turned the corner, the truck tipped.
 
It seemed to hang in the air, as if it might right itself or tip – either possibility was, for that instant, the same; exactly equal. The moment he chose to come up north to find out how his parents met; what was it that made them get married was like that. They didn’t seem to have anything in common. They hardly talked to each other. He had no idea why they stayed together, but they did and he didn't know why. It felt like there had to be a moment -- a moment when they were going to stay together or stay apart.
 
The truck stayed upright and with gears grinding, roared away into the night, heading north into Canada.
 
Over the roar of the truck, was tremendous crash. Tommy and Freddie jumped up on the car seat. The headlights at Naniboujou were out and they could see nothing. Even as they watched, something in the middle of the dark sparked. A moment later, there was a fire. It grew until it engulfed a tree.
 
Then it exploded in a ball of flame, blindingly white and shaped like a monster mushroom. Like the cloud of the Ay-tomic bomb they’d all seen in LIFE and LOOK and TIME and NEWSWEEK and HARPERS magazines right after the US bombed Hiroshima, it billowed for a second over Naniboujou. Two shadows stood out against the light: one was a giant witch, hands curled, casting a curse on the fleeing logging truck. The other was something neither boy had ever seen before.
 
Freddie would have sworn it was a giant, monster bat.
 
Tommy knew better, ‘cause he’d seen something just like it once on the arm of one of the men in the picture. It wasn’t no bat, giant or normal size. It was a flag. Huge. Maybe red. But the light shone through the cloth in one spot. He was pretty sure there was a hammer. Maybe a wreath like the kind in the Olympics.
 
One this he was sure of – one of the Socialists was waving it after them.