James Thurber was a well-known
cartoonist and humorous short story writer. Most of his work was published in
the New Yorker. Today, he’d be best known for his short story “The Secret Life
of Walter Mitty”, which was recently released as a film starring Ben Stiller.
He is still celebrated by “the
annual Thurber Prize [which] honors outstanding examples of American humor”.
O. Henry is the pen name of William Sydney Porter. He chose
the name – the choosing of which has three different tales – when he began
writing humorous short stories while he was in prison for embezzlement. He kept
it and went on to write some 381 other short stories. He is still celebrated by
“The O. Henry Award...a prestigious
annual prize named after Porter and given to outstanding short stories”.
What does this have to do with speculative fiction – science
fiction in particular?
Unfortunately not much.
From ANALOG, Stan Schmidt collected a few shining examples
of humorous SF in ANALOG’S LIGHTER SIDE and BEST OF collections – most notably “The
Dread Tomato Addiction”, though it wasn’t strictly a short story and it turned
on the idea that you can make statistics say whatever you want them to say.
Written by Mark Clifton, it was published in ASTOUNDING in 1958, and when I
read it for the first time in left a deep impression on me.
Kelvin Throop was the star of several ANALOG short stories in
the 1960s through the 80s and had numerous sayings attributed to him. Invented
by R.A.J Phillips, several writers wrote stories about him and he became a sort
of fall back for snarky sayings that were space fillers.
The website BestScienceFictionStories.com has 78 stories
that they consider “Funny” – http://bestsciencefictionstories.com/category/funny/.
I just discovered it when I started looking for humorous SF. Other recent
forays into speculative short fiction humor come from a writer I first came
across in an online writer’s group I’m a member of, CODEX’s Alex Schvartsman.
The third UNIDENTIFIED FUNNY OBJECTS anthology is due out later this year and I’ve
got a story I may submit there.
So I KNOW humorous short stuff is being written – but it
doesn’t seem that there are many writers who have become closely associated
with it any more. Gordon R Dickson and Poul Anderson wrote the Hokas series,
Asimov’s sporadic funny stuff, even Haldeman wrote “A !Tangled Web”, Mike
Resnick – but no one seems to have emerged as a regularly humorous writer – and it seems “everyone” has written
funny short stories as evidenced by Resnick’s THIS IS MY FUNNIEST: SCIENCE
FICTION WRITERS PRESENT THEIR FUNNIEST STORIES EVER volume one and two.
Yet it doesn’t seem that the awards come to humor. An old
friend of mine who is a prolific writer of YA humor has never once been up for
a Nebula, a Hugo, a Newbery, a Printz, Morris, Globe-Horn, or ALA Best...because
none of the committees believe that serious issues can be dealt with
humorously.
I think that this may also be the problem with speculative
short fiction as well. When it comes time for the awards to be handed out,
people say to themselves, “Wow! That was funny! But serious can’t be funny, so
I’d better not nominate/vote for/write something funny because no one will take
me seriously.”
Of course, we need only look at the accolades showered on the
King of Television Dramedy, M*A*S*H: 12 Emmys, a Golden Globe, a Peabody, a
Director’s Guild of America, several Humanitas Prize and Writers Guild of
America nominations, an exhibit in the Smithsonian, and one of the highest
ratings in the history of the Neilson’s for its final episode.
So where is science fiction’s short fiction version of
M*A*S*H, O. Henry, or James Thurber, eh?
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