March 11, 2018

POSSIBLY IRRITATING ESSAY: To Have A "Moral Dilemma", You Need A Morality in Speculative Fiction (Part 1)


Using the Programme Guide of the World Science Fiction Convention in Helsinki Finland in August 2017 (to which I will be unable to go (until I retire from education)), I will jump off, jump on, rail against, and shamelessly agree with the BRIEF DESCRIPTION given in the pdf copy of the Programme Guide. The link is provided below…

Using Moral Problems and Dilemmas to Add Depth, Suspense, Character Revelation, and Meaning to your Story: Moral dilemmas engage readers. Understanding what makes for a gripping ethical dilemma and the different approaches to resolving them can add depth and complexity to your characters and your story. In this workshop you will learn what an ethical dilemma is, how to create one that is complex and difficult to resolve, diverse approaches to resolving a dilemma and how to show your character’s attempt to find the most ethical solution to his/her dilemma, one that will ring true for your readers.

J. A. McLachlan: Has two College textbooks on Professional Ethics; three published Science Fiction novels and an Historical Realism novel

So this would be a mostly discussion class.

The saddest thing I saw in this is here: “In this workshop you will learn what an ethical dilemma is…”

That, in a tiny nutshell, is what I see as the main problem in our political system; our faith institutions, and in the…sad…pursuit of some people for a system of belief that will be fulfilling – but totally inclusive of every form of behavior known to Humans. The ones who insist that NOTHING is wrong (as long as it doesn’t hurt someone else…My question, “Define ‘hurt’. Define ‘someone else’.” Uh… “YOU know! Like, hurt!” and the someone else? “The people who agree with me 100%. If you don’t agree with my every point of view…well, then, I’m just going to Snapchat/Instagram/Facebook with the people who DO and harass the people who don’t!”

I’m not sure we have a really good handle on “moral dilemma” any more. I suppose that’s why this instructor had to teach her group what a “moral dilemma” is. I suppose at this point, I should insert a gif that shakes its head in grief.

I refuse to define this myself because I’ll just be adding “my opinion” to the argument – and that’s exactly what I DON’T want to do. Because…well, in this time of moral relativism, you can’t HAVE a “moral dilemma”.

The word “dilemma” has a clear definition, in fact, there is a formal definition from the field of logic: “an argument forcing an opponent to choose either of two unfavorable alternatives.”

OK – that’s clear. The use of a dilemma in fiction is obvious. In fact, characters HAVE to face a difficult choice in a story in order to…uh…make it a story.

CS Lewis’ NARNIA book THE SILVER CHAIR, points out: “‘Crying is all right in its way while it lasts. But you have to stop sooner or later, and then you still have to decide what to do.’”

Former President Obama’s wife writes, “You can't make decisions based on fear and the possibility of what might happen.”

“Truly successful decision-making relies on a balance between deliberate and instinctive thinking.” ― Malcolm Gladwell

“…the sort of person the prisoner became was the result of an inner decision, and not the result of camp influences alone.” ― Viktor E. Frankl

And lastly, Eleanor Roosevelt wrote: “One's philosophy is not best expressed in words; it is expressed in the choices one makes... and the choices we make are ultimately our responsibility.”

Too bad about the last two words – many Americans don’t believe they have to take responsibility for ANYTHING. The result of a bad decision ultimately belongs to someone else. Not me!
So, let’s accept that some writers have no idea what a “moral dilemma” is – perhaps because they’ve never had to face one (because you’d have to have some sort of systematic morality that’s grown in your life; that you’ve cultivated and applied.) The development of a morality:

n. late 14c., "moral qualities," from Old French moralité "moral (of a story); moral instruction; morals, moral character" (13c.) and directly from Late Latin moralitatem (nominative moralitas) "manner, character," from Latin moralis (see moral (adj.)). Meaning "goodness" is attested from 1590s.

“Where there is no free agency, there can be no morality. Where there is no temptation, there can be little claim to virtue. Where the routine is rigorously proscribed by law, the law, and not the man, must have the credit of the conduct.” [William H. Prescott, "History of the Conquest of Peru," 1847]

So the idea of “morality” has been around for a while – but Prescott makes an interesting point: “…Where the routine is rigorously proscribed by law, the law, and not the man, must have the credit of the conduct…” I would say, based on the evidence that I see every day in the high school I work at (and I work with teachers, administrators, parents, law enforcement, community, county, state, and federal workers of many stripes)…finding that someone has any kind of functional morality is more of a surprise than an expectation.

Of course, this would be something that the instructor had discovered and hence felt a need to TEACH it. As a veteran teacher with over thirty years in the classroom, the only time I feel compelled to teach something is when the class doesn’t know that thing.

If they knew it, I wouldn’t have to teach it…

The other reason to teach something is an attempt to standardize the morality – but in early 21st Century America, to teach outside of the proscribed (read “lawful”) morality would be tantamount to employment suicide. To even teach someone HOW to form a moral system would end in the same way – I don’t care if you’re talking about a pre-school classroom or a PhD classroom. Instructors have lost their jobs attempting to teach students to think for themselves.

So, while we as writers have the “dilemma” thing down, the “moral” thing is what defines not only a story, but (given that the skill levels of writers with varying moralities are equal) whether or not the author gets published and upon whom awards and accolades are bestowed.


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