My wife and I re-watched the movie, “The Secret Life of Walter Mitty”, starring Ben Stiller. The screenplay was based on a short story of the same name, written by well-known humorist, James Thurber.
Apparently they really have nothing to do with each other, so I’m going to treat the Stiller movie as a science fiction flick.
Why SF and not Fantasy?
It involves both psychology (soft SF) and technology (hard SF) – and advances in technology and how they affect society (classic hard SF)…
The premise is how advances in technology will affect society, in this case, how the internet affects the lives of people whose employ was in a paper magazine that depended on physical film images; at its heart, the kind of SF we all enjoy reading – the book I’m reading now is an exploration of what post-humanity will be like when our psyches can be uploaded to vastly more advanced computers and how that might overtake the biological Human. John C. Wright’s COUNT TO A TRILLION is no more hard SF than Stiller’s TSLOWM.
The psychology is obvious and where in Thurber’s TSLOWM, Walter never moves from his imagination to any kind of reality at all, Stiller’s Walter begins his life lost in a sort of fantasy world, he enters the real world and begins to bring some of those fantasies into reality.
Of course, the only way he can do that is by the application of everyday technology – a combination of jets, helicopters, ocean-going vessels, cars, subways, elevators, high-altitude/low temperature gear, and eHarmony (an online dating site)…
Most importantly to me, however, is that the movie is inspiring. While I can’t say exactly why, I do know that as a writer, I tend to live in my head as Walter did. I can also say, though, that I’ve had my fair share of adventures as a missionary in Nigeria (where we experienced a coup d’état) and I helped perform a puppet show on national TV; Cameroon where we experienced an attempted coup d’état, stepped on a scorpion in the middle of the night, and came down with malaria; and Liberia where nothing of “adventure” happened except that we traveled up and down the coast and I walked along a black sand beach. I was also in Haiti for two weeks, helping to lay the foundation of an orphanage. I guess traveling with a band counts – twice – counts too…two summers running a Bible camp in the center of the Chippewa National Forest and actually SEEING wild timber wolves. Having lunch with Newbery Award-winning author Kate di Camillo. Meeting Mary Grandpre, artist of Scholastic Book’s HARRY POTTER books and a cover of TIME magazine…I have a “real” letter from Madeleine L’Engle, a response to a letter I wrote her, as well as a different one from Anne McCaffery and another from David Brin…
I was the Science Museum of Minnesota’s Teacher of the Year in 1997…
OK, so I’m not exactly an example of Thurber’s Walter Mitty; but I’m certainly not Stiller’s Walter Mitty, either. It’s Stiller’s Walter Mitty, though who is the character of a science fiction movie. While it doesn’t involve space or time travel, it does involve MIND travel as we got to see what he was imagining – saving the dog from a building about to erupt into a fireball; the guy who came out of a LIFE Magazine ad from the Himalayas to talk to Cheryl; being Benjamin Buttons to Cheryl's Daisy Fuller; plus a few others I can’t recall (and can’t seem to find listed anywhere). For a moment, we see what he sees – or where he goes when life isn’t going in the direction he wanted it to. It's a sort of...time travel or psychotic adventure that moves me to want more in my life.
So there you have it – why I think Stiller’s SECRET LIFE OF WALTER MITTY is a science fiction film rather than a fantasy film and why it is SF in the very best of the tradition.
After reading Lisa Cron's book, WIRED FOR STORY, I started creating a framework for me to use her idea -- that we read stories to learn how to deal with real life. In an article my sister forwarded to me, Cron states: "The reader expects the story to revolve around one, single plot problem that grows, escalates and complicates, which the protagonist has no choice but to deal with...[which] is constructed to force the protagonist to confront, struggle with, and hopefully overcome a long standing internal problem. Story is about an internal change, not an external one...Can my plot problem...force my protagonist to struggle internally, spurring her to make a much needed internal change in order to resolve it?"
This is exactly what Walter Mitty does in the movie. Deep down, he feels he has no control over his life. So he creates fantasies in which he CAN control the situation to the extent that he becomes a hero. Real life is a lost job, a brutal boss, multiple relationship fails, a bossy sister, and the loss of an important film negative -- the only one on Earth. In his mind, he makes heroic decisions and people love him. Then he starts to make REAL (sometimes dumb!) decisions and gets hurt, nearly dies, and then hurts the person around whom his entire life has revolved...but he GROWS and then becomes a real man with a real woman who is interested in him. And he tells the boss off.
THAT is what story is supposed to do, and because we don't read (or even pay much attention to) stories anymore, we don't know what the HECK to do to make life better...“...we're wired to turn to story to teach us the way of the world.”
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